The “Crucifixion“ movement of the Passion is, in its opening section, the most musically complicated portion of the piece. The second half of this movement is the simplest. This is due to a moment in the story where I felt it was important to have all of the dramatic forward motion let go and allow the piece to start losing energy. That is the moment where we move into a simpler, more “relaxed” feeling.
John’s Gospel poses a different emotional trajectory for the last moments of Jesus’ death, foregoing the cataclysmic drama of the first three Gospels. Instead, the author of the fourth gospel tells a fairly quiet story of Jesus’ death. Phrases such as, “Then they crucified him.”, and “When they had crucified him…”, seem to constitute an intentional “unmarking” of those moments. This gospel is enveloped in so many layers of theology that the author seems to have very little interest in focusing us on the horrific moments, but rather more important moments.
Jesus’ final act of care for his mother and his disciple, the care for the body of Jesus after death; these are examples of the moments he focuses on and draws out into our attention more clearly. There is no earth rattling, no graves opening, no veil rendering moment. In this gospel, Jesus simply “bows his head“ and gives up his breath. It is a picture of light draining slowly from his body rather than a striking moment.
This is an important and (in its time) new imaging of the story. In this gospel the “sacrificial moment” comes over time. This is a concept we need in our faith lives. Sacrificial love is rarely, if ever, experienced in a moment. It is experienced over time. Truly caring for others never takes a moment, but a series of moments that stretches throughout the course of our lives. This durative sense of sacrifice becomes an essential part of our Christian journeys. Sacrificial living can be an exhausting path as it is walked faithfully over time. The death for this gospel becomes an image of rest as well as loss.